Wednesday, January 19, 2011

Aamir Khan Sahab New Look For Reema Kagti’s Film Images








Aamir Khan Sahab is known for his unque looks he sports in his movies. He started experimenting with his look since Dil Chahta Hai. The stylish urban look he carried in this movie had became a rage. His look in Ghajini had entire nation crooning over it. Last but not least he shed loads of wait to look the part of a 20 something college kid in ’3 Idiots’. So, people are so curious to see the new look Aamir Khan Sahab sports in his new latest movie. He’s already made his film a huge hit in the media given there had intense speculations about the cast, and finally it’s been revealed that Kareena Kapoor and Rani Mukherjee will play female leads in the film.

Aamir Khan Sahab has gone for a close crop for his hair, it seems. It’s unclear if the scarf is to hide the look or part of the film. He has also grown moustache for this look. However, we have spotted him without a moustache as well with the same look, but, one with moustache is the latest look and which suggests that he might be having it in the movie.

Reema’s movie is a suspense theriller, according to the makers.

So, guys, tell us, did you like the new look? Do you think it’s as exciting as Ghajini or Dil Chahta Hai look? Also tell us whether a different look can work in the favor of the film or not.

Aamir Khan Sahab Dhobi Ghat Special Screening Image




Aamir Khan Sahab no-interval clause for multiplexes



When Aamir Khan Sahab talks, everyone listens. However, one would think that getting the multiplex theatres to agree to do away with an interval for all the screenings of his new production Dhobi Ghat which his wife Kiran Rao has directed, would seem not only like a tall order but an impossible ideal to achieve.

Theatres, especially the posh multiplex chains depend on revenue earned through the sales of snacks, popcorn and cold drinks. To convince multiplex theatres to do away with the interval and therefore forego a sizeable chunk of their earnings from the screenings seemed like an impossible dream.

But Aamir Khan Sahab has done it again. He has achieved the impossible. After audaciously advertising Dhobi Ghat as a 95-minute film with no interval, Aamir Khan Sahab personally visited the owners and managers of the multiplex chains. They've apparently now given it to him in writing that there would be no interval in the screenings of Dhobi Ghat.

Not just the multiplex chains and single theatres in Mumbai, Aamir Khan Sahab has personally secured a similar never-before no-interval clause from theatres across India.

Says a source, "When Aamir Khan Sahab decided that the narrative of Dhobi Ghat should not be interrupted with an interval, he personally requested the multiplex and single-theatre owners to understand his point of view. At first they protested about the losses that would occur if audiences do not step out to buy snacks. But then Aamir Khan Sahab gently suggested, he would screen Dhobi Ghat only in the theatres that agreed to do away with the interval. All the theatre chains across the country came around."

Apparently, the implementation of the no-intermission clause for Dhobi Ghat will be closely monitored across the country. Errant theatres sneaking in samosa space into Dhobi Ghat would be guilty of a breach of contract.

Siddharth Roy Kapur of UTV, the co-producers of Dhobi Ghat confirms Aamir Khan Sahab firm stand on the mid-point issue.

Says Kapur, "Aamir Khan Sahab spoke to all the multiplexes and they agreed to no interval. Dhobi Ghat is only 95 minutes long and structured to be watched in one sitting without an interval so yes, the multiplexes have seen the wisdom of his logic."

Aamir Khan Sahab close friend filmmaker Rakeysh Omprakash Mehra who has been championing the cause of the abolition of the ritual of the abolition sees this as a big breakthrough in the process of guarding the creative sanctity of our films.

Says Mehra, "Intervals are an unnatural brake applied in the middle of a film to sell samosas. There is no first-half and second-half in a film. This is an artificial division created purely to generate revenues through food sales."